History
This regency was born of cruelty, incest, betrayal, and murder. In
Bali, where legend and history are so intertwined, the history of Bangli
reads like a story from one of the Panji tales. In the 18th century,
the ruthless king Dewa Rai of Taman married his cousin, Dewa Ayu from the
Bangli Denbancingah family, and immediately began plotting to overthrow
his uncle, the ruler of Nyalian. Dewa Rai adopted Dewa Gede Tangkeban,
the son of the ruler of Nyalian, but the son fell in love and had an affair
with his adoptive father's wife, the queen. She persuaded her lover to
turn Dewa Rai's dissatisfied subjects against their despised king. After
Dewa Rai was murdered in the courtyard of the Puri Agung of Bangli, Dewa
Gede Tangkeban married his stepmother and became king of Bangli. Since
this marriage was not sanctioned by the religious adat of the time,
seven generations of rulers were cursed with bad luck.
In the 18th and 19th centuries, a time when
maritime trade was paramount, only those kingdoms with ports were economically
and politically powerful. To trade, Bangli was forced to transport its
goods through other territories, paying heavy tribute to their sovereigns.
Bangli's luck changed in 1849 when its king Dewa Gede Tangkeban II was
appointed by the Dutch to rule the northern regency of Buleleng. This vast
area came under Dutch control after Buleleng's King Gusti Ketut Jilantik
committed puputan. This confederation was of great advantage to
Bangli—it was then able to gain access to the sea. Buleleng could also
benefit as it was able to irrigate its rice fields with Bangli water. But
the union was short lived. In 1854, Buleleng rebelled against Bangli. No
matter; in 1882, all of northern Bali came under direct Dutch colonial
administration.
Bangli first became known to the Western world
when a German doctor, Gregor Krause (1883-1959), was appointed to the Dutch
hospital here from 1912 to 1914. An avid photographer and amateur ethnologist,
Krause took over 4,000 photos during his tenure. Four hundred of them,
together with his reports on Balinese cultural life, were published in
Germany in 1922 and distributed worldwide. The book's effect on Europe,
having just emerged from four years of war and still struggling with poverty,
was electric. The majority of photos were shot in Bangli and constitute
an invaluable historic record of the time—the puri, aristocratic
life, raja and princesses in ceremonial attire, royal topeng dancers.
Another famous literary personality, Scottish-born
Muriel Pearson, under the pen name Ketut Tantri, wrote Revolt in Paradise,
a fascinating tale of her life in Bali and Java from 1932 to 1947. Inspired
by the early Hollywood film The Last Paradise, she came to Bali,
settling first in Denpasar, Soon growing restless, she drove inland in
search of the real Bali. Her car ran out of gas in front of the Puri Denpasar
in Bangli. The raja of the time invited her into the palace and eventually
she became his quasi-adopted daughter. He gave her the name Ketut Tantri,
ketut meaning fourth-born child. She wore traditional clothes and
at the raja's suggestion dyed her red hair black—only leyak have
red hair on Bali.
Economy
Traveling through Bangli regency even 10 years ago you could easily
forget which century you were in. But by the mid-1990s the region seemed
to be waking from a long sleep. Today, the streets are clean and the economy
is growing, with many new shops and supermarkets rising to meet local demand.
Agricultural products are still the most important source of revenue for
this relatively remote regency. The broad plain in the south, consisting
mostly of rice fields, lies about 100 meters above sea level; the higher
elevations above Bangli town mark the dividing line between the two agricultural
zones of the regency. Here you begin to see plots of corn, sweet potatoes,
cassava, cabbages, peanuts, coffee, tobacco, and vanilla, as well as salak,
passion fruit, citrus, and clove plantations. This mountainous district
is also known for its decorative plants, particularly orchids and unusual
ferns.
Events
Bangli's temple festivals are known for their stunning offerings. Ceremonies
often last all night, and the dances are more traditional than in the south.
Here, the dancers fall into a real trance. This is usually the only district
where you can see a genuine sanghyang dedari (exorcistic dance).
The highlight of your stay here may be stumbling
upon a gamelan competition. Only in the Bangli area can you still
find the powerful, deep, and reverberating gong gde, a huge ensemble
of calung, jegogan, trompong, gong, big drums, half a dozen saron-style
gangsa, and large cengceng. In feudal times, the gong
gde was perhaps the most important symbol of a court's opulence. Rare,
streamlined versions of this archaic 50-musician orchestra can be found
outside Bangli town in Demulih and Sulahan, and in Kintamani's Pura Batur.
The balian of Bangli are renowned for
their supernatural powers, for their practice of the science of black magic
(pengiwa), and for their ability to heal psychically through the
medium of trance. Those patients the balian are unable to treat
are sent to Bangli's lunatic asylum.