Made from palm leaf, this abstract female head with a large fanlike headdress is dedicated to the rice goddess Dewi Sri and dates from pre-Hindu rice cults. The figure is a symbol of wealth, fertility, and good fortune; ft can also be found on cakes, baked clay, or made from old Chinese coins. The art of cutting and folding young co-conut or palm leaves in intricate designs, both for impressive large-scale ornamentation and small-scale temple flower offerings like the above, is thought to be a pure Balinese art form, with no trace of borrowing from outside cultures. |
Subak
Bali's well-defined dry season makes irrigation necessary, but the
island's mountainous nature makes it difficult. Since a farmer is unable
to build and maintain elaborate irrigation systems, only through cooperation
with neighbors have the Balinese become famed as Indonesia's most efficient
rice-growers. The subak is a communal association consisting of
growers, tenants, and sharecroppers who work adjacent holdings averaging
50-100 hectares. Acting as a sort of local "water board," this intra-village
civil engineering organization's main function is to control the distribution
of irrigation water and organize joint work projects to build and maintain
dams, canals, tunnels, aqueducts, and waterlocks. In existence in Bali
since at least A.D. 896, there are today around 1,200 of these irrigation
cooperatives, each with several hundred members. All must abide by the
same rules. Each member is allotted work in proportion to the amount of
water s/he receives; a pekaseh arbitrates any disputes. All government
programs to improve rice production are channeled through the subak
by a staff of field agents who live right in the main rice-growing areas.
Though it's the bedrock unit of the Balinese
community, the subak will buckle under to policies adopted by the
central government. In 1994, after the government rezoned the land around
Tanah Lot to clear the area of rice fields, the regency cut off all water
supplies to the local subak. The villagers were eventually forced
to relocate to make way for the massive 121-hectare Nirwana Resort. Even
a venerable social institution like the subak subordinates itself
to the imperatives of tourist development.
Rice Rituals
The divine rice plant is the source of all life and wealth, a gift
of the gods. Rice rituals differ depending upon place, time, and situation,
but all over Bali huge importance is placed on the growing of the island's
single most important food crop. As in other areas of Balinese life, women
prepare the offerings, designed to gain the goodwill of the deities who
provide water and other favorable conditions for a successful harvest.
Before each planting season, the head of the
local subak undertakes a trip to the mountain lake of Bratan to
ask Batara Wisnu ("Provider of Water") for his assistance. A few drops
of water from the lake are symbolically splashed in each rice field before
planting begins.
Just as rite-of-passage ceremonies mark stages
in a person's life, prayers and rituals accompany every cycle of growth
in the life of the rice plant: germination of the seedbed, the planting,
the plant's first birthday (42 days), ripening, Dewi Sri's "pregnancy,"
harvest, and at last a thanksgiving ceremony (ngusaba nini) in which
a handsome meter-high cone of cooked white rice is offered up to Dewi Sri
in the subak temple.
Small bamboo shrines, resembling Thai spirit
houses, stand at the corners of every sawah to hold the offerings
dedicated to such agricultural deities as Ibu Pertiwi ("Mother Earth"),
Surya (the sun-god), Batara Wisnu, and Dewi Sri, the lissome and beautiful
rice goddess. Dewi Sri's deified effigy, fashioned from rice stalks, is
found everywhere in the rice fields until the harvest is completed, when
it's moved to an elevated place in granaries (lumbung) located in
the backyard of almost every Balinese domestic courtyard. To discourage
the evil spirits who are accountable for seed loss by birds and mice, offerings
of flowers, rice, and eggs are laid before the shrine; cockfights may also
be held to satisfy the spirits' bloodlust.
Stages of Growth
There are no particular seasons for growing rice. Traveling over the
island at any time of year it's possible to see all phases in progress.
In fields side by side you'll see the stubble of newly harvested fields;
the glimmering mirrors of flooded, newly prepared fields; the jade of freshly
replanted shoots; the swaying green or robust gold of a mature crop; the
burning of the stalks; the plowing of fields interspersed with bright green
seedbeds. Sawah are at their most beautiful when flooded, just before
the young rice is transplanted. The smell of a healthy young sawah
is akin to the odor of a healthy aquarium.
To prepare the fields for planting,
the farmer first rakes and breaks up the bare, dry ground and stubble of
the sawah; this is called ngendag ("opening up"). After hoeing,
the field is flooded, then smoothed with a wooden sledge (lampit)
pulled by one or two cows (buffaloes lack the necessary stamina) until
the whole field is turned into a muddy, watery ooze. The dikes (pundukan)
must be continuously cleared of vegetation that would steal needed water
from the sawah.
Next, if one is planting padi bali,
a corner of the rice field is walled off and a seedling nursery is begun
with already germinated seeds. With the new high-yield dwarf varieties,
the seeds are simply broadcast by hand. Seedlings grow for 25 days in the
seedbed (ngabut). Several days before they are transplanted, the
fields are again flooded and smoothed, then fertilized with urea and TSP.
The more intensively and diligently the field is worked, the higher the
yield.
The transplanting in the larger field next
to the seedbed is a group effort, the shoots thrust one by one into the
watery mud, spaced one hand's breadth apart and lined up in rows. As the
rice grows and the ears fatten on the heads, the rice is said to be pregnant;
at this time the fields must be vigilantly guarded from mice and birds.
Fluttering plastic strips, rags, bamboo clappers, whips, whirring, clacking
contraptions-even human scarecrows-are found all over the fields.
Traditional Harvest Methods
After four months (six months for padi bali), the deep green
of the nearly ripe crop appears, turning a golden yellow when fully mature.
Although only men plant the rice, harvesting (gampung) is carried
out by both men and women. This is a time when the usual quiet of the rice
fields is replaced with the lively chatter and upbeat singing of happy
throngs of workers-a time of great excitement in a Balinese village. Working
under great bamboo hats, every able-bodied villager joins in the work,
including children. Harvest is an opportunity to meet future sweethearts.
During a harvest the village streets are almost
deserted, the banjar empty-everyone is out in the fields. Offerings
are made first, the rice goddess thanked for her bounty. So as not to frighten
the goddess, women cut off the ears of padi bali with a small knife
concealed in their palms.
Behind the women as they progress across the
field come the children, gathering whatever rice has inadvertently been
left behind. These leftovers become the harvest of the children, which
they can take home for themselves.
Each handful of padi bali stalks is
gathered into a sheaf of 10, handed to a man whose job it is to form the
wonderful round bales (suwun). Ten sheafs comprise a 10- to 12-kg
bale, which is tied with a bamboo string, turned upside down, and hung
on the ends of bamboo poles to be carried back to the village in a sort
of half-walking, half-running gait, or transported home on the heads of
women.
The modern, faster-growing hybrid IR36 is
cut by sickles and threshed right in the fields, as it's brittle and tends
to fall off the stalk if carried too far. After the harvest, the straw
left in the fields is burned, enveloping the whole region in suffocating
smoke. After several crops of padi bali, soybeans or some other
legume are planted to rejuvenate the soil.
Threshing, Winnowing, Storing, Milling
Traditionally, bundles of rice are taken from the granary and husked
a little at a time, just enough for one day's cooking, or sold as the family
needs cash. The rice stalks must first be threshed, which frees the grains
from the stalk. Then, because the Balinese prefer white rice, the grain
is pounded to separate the husk from the inner kernel, usually in a hollowed
wooden trough by women using metal-tipped, two-meter-long bamboo poles
they rhythmically change from hand to hand. The sound of several women
engaged in this task is an ancient form of percussion; some musicologists
theorize the hypnotic cadence produced is the origin of most forms of Balinese
xylophonic music.
After the pounding loosens the chaff (nebuk),
the rice is winnowed (njidi), the grains thrown up and caught on
large split bamboo trays while the chaff falls to the ground or is carried
away on the wind. The rice is then milled in one of the 1,500 or so gas-
or diesel-powered mills found all over Bali. Mills purchase the rice outright,
mill it, then sell the processed rice (beras) in 100-kilo sacks.
Farmers can have their rice milled for around Rp100 per kg. The coarse
bran, germ, and husk byproduct is used as food for pigs.
Rice is the farmer's savings account. In Dutch
times, farmers sold their crops for cash to the Denpasar rice mills, the
money often squandered long before the next harvest. Now, after the harvest,
rice is stored in the banjar granary, or tied in bundles sepingan,
to the top of tall poles. You still sometimes see these bundles of rice
drying in the sun, particularly in the uplands. The Indonesian government
subsidizes the price of rice, known as the "mother price," so that all
citizens are at least able to eat. Both government, military, and private-sector
employees are paid partly in coupons that can be redeemed for rice.
Seaweed Farming
The Balinese have collected seaweed for hundreds of years, though government-supported
commercial production only began in 1980. The most successful cultivation
site is the narrow strait between the islets of Nusa Lembongan and Nusa
Ceningan, and on the north coast of Nusa Penida. About 1,000 families are
engaged in seaweed production on Nusa Penida, while 35 families work at
the Cape Geger project.
To farm seaweed, stakes are first driven into
the sandy ocean bottom near shore, then plastic ropes are tied between
the stakes to form a rectangle 2.5 by five meters square; 50 of these rectangles
make up a 625-square-meter area; 16 squares occupy a hectare. All cultivation
and harvesting take place underwater.
It takes a family of five to maintain one-quarter
of a hectare, producing about 20 tons of dried seaweed per year. The collected
seaweed is used in food, sauces, soups, condiments, and agar-agar,
a thickening agent used in cooking. The harvest is sent first to Surabaya,
then exported to France, Denmark, Japan, and Singapore for processing.
Bali exports approximately 400 tons of seaweed per year. The government
does all it can to promote this highly exportable, profitable, labor-intensive,
nonpolluting, nonseasonal industry.
Saltworks
Next to lombok (chili peppers), salt is the favorite condiment
of the grain-eating Balinese. In the southern part of the island a vigorous
family-run cottage industry produces clean, unrefined natural salt from
seawater.
The island's salt-making capital is Suwung.
Another salt-producing area is the broad tidal flats of Jimbaran. The glistening,
volcanic black-sand beach at Kusamba, three kilometers northeast of Klungkung,
is a third salt center.
All three locations use different methods
to produce salt, though the principle is the same: large amounts of seawater
are deposited onto land and allowed to dry under the sun; the residue is
scooped up, leached, and the outflow allowed to evaporate, leaving gritty
salt crystals which are then purified. The Jimbaran saltworks employs an
evaporator, a large, loosely woven bamboo basket extruding a long, white,
dripping stalactite around which forms a cake of salt. Saltmakers produce
an average of about 25 kg per day.
Saltmakers at each site claim that the salt
from the other locations is crude and bitter, but it's generally believed
Jimbaran salt is the highest quality. Because of its complex beneficial
minerals and bio-electronic properties, sea salt balances alkalinity/acidity
levels, renews energy, restores good digestion, rejuvenates the body's
biosystems, and relieves allergies and skin diseases.
Other Small Industries
The Bukit Peninsula is home to a number of important industries. One
is the conversion of coral into quicklime (pamor), used in the making
of mortar. A very high temperature is required to slake lime; you can always
locate a lime kiln by its great clouds of choking, polluting fumes.
During the early 1980s the offshore tidal
environment and reef fauna of Kuta, Sanur, and Candidasa were totally degraded
by indiscriminate coral gathering. Now regulations prohibit coral harvesting
less than three kilometers from shore. Fortunately, lime output has started
to fall off as more builders switch to superior cement.
Limestone quarrying on the Bukit to produce
blocks and bricks is concentrated south of Pecatu. You can see many old
quarries on the main road to Uluwatu Temple. Long crowbars (linggis)
are used to pry the limestone loose from the cliffs, and the blocks are
sawed where they fall.
Baked red bricks and roof tiles are made in
wooden molds by hand in the northern part of the island wherever there
are clay deposits, which is just about everywhere. This enterprise is a
curious sight, the brick- or tilemaker's shed completely surrounded by
a deep moat dug right out of the clay topsoil. The island's brick-making
center lies just south of Mambal on the road north from Denpasar to the
Monkey Forest, where half the population is involved in this lively industry.
Bali's prefab clay, concrete, and ceramic
center is at Kapal, between Tabanan and Denpasar. Kapal is also famous
as a manufacturing center for Bali's rice cookers-the weird and wonderful
dang-dang many tourists mistake for hats-as well as numerous other
sheet metal products. A growing market is the export of traditional Balinese
wooden house frames and parquet floors, particularly to Australia and the
United States.